From January 1 to April 10, 2024, Sullivan Sweet produced one zine per day for one hundred consecutive days.
The project explored repetition, constraint, and material transformation within the zine form. Materials were sourced from thrift stores and junk shops. Works ranged from traditionally bound booklets to pieces that were burned, buried, or dissolved.
Zines were made across studios, trains, and hotel rooms, and documented through photography and video. For ephemeral works, this documentation serves as the primary record.
The complete archive of the 100 Zine Project is available here.